La Haine (1995) Director : mathieu kassovitz feature films




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SAS/03/10

La Haine (1995)

Director : MATHIEU KASSOVITZ

Feature films

  • 2009 - Rebellion (announced)

  • 2008 - Babylon A. D.

  • 2003 - Gothika

  • 2000 - Les rivières pourpres/The Crimson Rivers

  • 1997 - Assassines)

  • 1995 - La Haine/Hate

  • 1993 - Métisse/Café au lait

Short films

  • 1998 - Article premier (Amnesty International)

  • 1997 - La forêt (Handicap International)

  • 1992 - Assassins

  • 1991 - Cauchemar blanc

  • 1990 - Fierrot le pou

Select Bibliographie: La Haine (1995)

  1. Higbee, Will, Mathieu Kassovitz (Manchester, MUP, 2006)

  2. Konstantarokos, M., 'Which Mapping of the City? La Haine and the cinéma de banlieue' in French Cinema in the 19905:

Continuitv and Difference, ed. Phil Powrie (Oxford, OUP, 1999),160-171

  1. Oscherwitz, Dayna, 'La Haine, Hate: Mathieu Kassovitz, France, 1995' in The Cinema of France, ed. Phil Powrie (London, Wallflower Press, 2006)

  2. Vincendeau, Ginette, 'Designs on the banlieue: Mathieu Kassovitz's La Haine' in French Film: Texts and Contexts, ed. S. Hayward and G. Vincendeau (London, Routledge, 2000), 310-327

-La Haine (London, LB. Taurus, 2005)

For discussion :



SASj03j10



Select Bibliographie: La Haine (1995)

  1. Higbee, Will, Mathieu Kassovitz (Manchester, MUP, 2006)

  2. Konstantarokos, M., 'Which Mapping of the City? La Haine and the cinéma de banlieue' in French Cinema in the 1990s:

Con tin uit y and Difference, ed. Phil Powrie (Oxford, OUP, 1999), 160-171

  1. Oscherwitz, Dayna, 'La Haine, Hate: Mathieu Kassovitz, France, 1995' in The Cinema of France, ed. Phil Powrie (London, Wallflower Press, 2006)

  2. Vincendeau, Ginette, 'Designs on the banlieue: Mathieu Kassovitz's La Haine' in French Film: Texts and Contexts, ed. S. Hayward and G. Vincendeau (London, Routledge, 2000), 310-327

-La Haine (London, LB. Taurus, 2005)

Activity:

Draw up a filmography for Kassovitz, including the films in which he has acted.



For discussion:

  • The cinematic techniques used in the film

  • The Iink between fond and forme (in what way do the

techniques reinforce the themes?)

  • The representation of social divide

  • The role of periphery characters

  • The representation of Paris (consider the various districts, interiors etc.)


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