Meredith Monk: Renaissance Woman




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MEREDITH MONK BIBILOGRAPHY: 2012 – 2010

1979
Articles by or Interviews with MM


"Meredith Monk: Renaissance Woman"; interview by L.K. Telberg; Music Journal; September/October, 1979, pp. 4-10.
Articles about MM in Magazines/Newspapers
"Avant garde Movement Broke the Molds; Today's Artists Recombine the Shards", by Maureen Daly; Progressions '79; 1979.
"Critics Choices: What's Special This Holiday Weekend", by Anna Kisselgoff; The New York Times; November 23, 1979; p. C16; "Recent Ruins."
"Critics Notebook: Two Faces of Dance", by Jack Anderson; The New York Times; June 15, 1979.
"East Meredith Singer Performs Friday at 8"; The Daily Star; August 30, 1979; "Recent Ruins".
"Fair Winds in February", by Deborah Jowitt; The Voice; March 5, 1979; pp. 67-68; "Education of the Girlchild."
"Girlchild Revisited", by Rob Baker; The Soho Weekly News; February 8, 1979; "Education of the Girlchild."
"KABUKIANA"; New York; March 5, 1979; Marcia B. Siegel; "Education of the Girlchild."
"Meredith Monk"; Flash Art; 1979; p. 15.
"Meredith Monk" by Kate Davy; Scena America; December 4, 1979; p. 23.
"Meredith Monk"; WBAI Calendar; 1979.
"Meredith Monk - A la Chappelle de la Sorbonne" by Daniel Caux; Le Monde; 3 Octobre, 1979; p. 23.
"Meredith Monk Plans a Visit"; Seattle Post-Intelligencer; February 28, 1979; Maggie Hawthorn; p. F10.
"Meredith Monk: Renaissance Woman", by L. K. Telberg; Music Journal; September-October, 1979; Vol. XXXVII, No. 6; pp. 6-11.
"Monica Solem: Dual Talent", by Tullia Bohen; Staten Island Advance; November 23, 1979; p. D7.
"Monk's Chant", by Sally Banes; The Soho Weekly News; February 1, 1979; p. 59; "Dolmen Music".
"Off and On", by William Harris; The Soho Weekly News; November 22, 1979; p. 51.
"Performance Art: Always on the Cutting Edge of Experimentation", by Nancy Legge; The Villager; Jun 28, 1979; p. 23.
"Poetic Spectacles" by Mindy Aloff; [Publication and Date Unknown]; Solo Vocal Concert at the Portland Center for the Visual Arts and Dance and Theatre Workshop at Moving Space Inc.
"Talent Bristles On 3 Stages at BAM"; The New York Times; February 9, 1979; p. C20; "Education of the Girlchild."
"Underground Music Surfaces for a Nine-Day Festival", by John Rockwell; The New York Times; June 4, 1979; p. 19.
Mentions, Photographs, etc... in Books
Il Patalogo Uno: Annuario dello Spettacolo Musica Televisione Cinema Teatro; Ubulibre; Milano; 1979; p. 181; photograph/reference of Meredith in "Anthology".
Chapters in Books about MM
"Meredith Monk - Homemade Metaphors", by Sally Banes and Robert Alexander; Terpsichore in Sneakers; Houghton Mifflin Company; 1979.
Reviews
"Critics Convene in New York - An Unpretentious and Likeable Bunch Whose Labor is One of Love - Weird Shapes and Sounds", by Michael Margolin; Detroit Dance News; September, 1979; p. 3; Dance Theater Workshop.
"Digging Ruins", by Claire Martin; Other Stages; November 29, 1979; p.8; review of "Recent Ruins."
"Image of "Archeology", by James Williams; Daily World; December 5, 1979; p. 13; review of "Recent Ruins".
"An Eclectic Evening - Miss Monk 'Spellbinding'", by Myron Galloway; Montreal Star; April 23, 1979; review of "Paris".
"Education of the Girlchild", by Joseph H. Mazo; Women's Wear Daily; February 12, 1979.
"The Education of the Girl Child", by Michael Slota; Show Business.
"Key"; by T.H.; RECORDINGS (Recommended Recordings of Experimental Music); Vol. 1, No. 1; 1979.
"A Large Still Life", by Linda Small; Other Stages; June 14, 1979; p. 9; review of "Skyfish."
"Meredith Monk at La Mama", by Doris Diether; The Villager; November 22, 1979; p. 13; review of "Recent Ruins."
"Meredith Monk au 140: La Voix Est Un Acte Pur", by Daniel De Bruycker; Le Soir; October 23, 1979.
"Meredith Monk Dances Opera Epics", by Anna Kisselgoff; The New York Times; February 10, 1979; review of "Education of the Girlchild".
"Meredith Monk’s Education of the Girlchild", by Linda Small; Dance Magazine; May 1979; p. 153.
"Meredith Monk: From the Whispers of Wheat to the Drone of Locusts", by Karen Stroker; Seattle Sun; March 28, 1979; p. 19; review of "Songs from the Hill", selections from "Quarry", "Education of the Girlchild".
"Meredith Monk, ou la Fascination Magique", by Angele Dagenais; Le Devoir; March 24, 1979; review of "Paris".
Meredith Monk: Recent Ruins at La Mama - November and December 1979", by Cate Miodini; The Downtown Review; Vol. 2, No.1 - Fall/Winter 1979/80; pp. 32-33; review of "Recent Ruins."
"A Meredith Monk Work", by John Rockwell; The New York Times; November 18, 1979; review of "Recent Ruins."
"Monk on a Hill: Voice of the Future by Robert McGinley; The Seattle Sun; November, 1979; p.4; review of "Songs from the Hill".
"Monk’s Inimiable Images", by Jack Anderson; The New York Times; February 18, 1979; review of "Education of the Girlchild."
"Moving Through the Debris", by Sally R. Sommer; The Voice; November 26, 1979; p. 105; review of "Recent Ruins" at The LaMama Etc. Annex, NYC.
"Music and Dance Reviews: Monk and the House at Royce Hall", by Lewis Segal; Los Angeles Times; April 9, 1979; review of "Venice/Milan" and "Paris."
"Music Choices - Meredith Monk", by Johnson; The Voice; January 29, 1979; p.65; review of "Tablet" and excerpts from "Vessel" and "Quarry."
"Music: Kitchen Offering Experimental Festival", by John Rockwell; The New York Times; June 10, 1979.
"Music - Meredith Monk", by John Rockwell; The New York Times; January 26, 1979; review of "Music Concerts" at The Kitchen, NYC.
"A New Music Medley", by Tom Johnson; The Voice; December 17, 1979; p. 104; review of " Recent Ruins."
"Off and On", by William Harris; [Publication Unknown]; review of "Recent Ruins" and " Specimen Days."
"One Daus Ex Machina to Go", by Robert J. Pierce; The Soho Weekly News; May 31, 1979; p. 46, review of "Skyfish".
"Other Voices, Other Ruins", by James Leverett; The Soho Weekly News; November 22, 1979; p. 47; review of "Recent Ruins."
"Profusion Within City Limits", by Deborah Jowitt; The Voice; December 3, 1979; p. 91; review of "Recent Ruins."
"'Recent Ruins' A Prophetic Title Back to the Roots with Childs", by Judith Ren-Lay; Washington Market Review; January; p.21.
"Ritual's the Thing for Monk Troupe", by Paul Hertelendy; The Tribune (Oakland); April 5, 1979; review of "Plateau Series".
"SOHO A-GO-GO", by Tim Page; The Soho Weekly News; November 15, 1979; p. 46; review of "Recent Ruins."
"Songs from the Hill" by T.H. RECORDINGS (Recommended Recordings of Experimental Music); Vol. 2, No. 2, 1979.
"Stunning Avant -Garde Concert", by Marilyn Tucker; San Francisco Chronicle; April 5, 1979; p. 65; review of "Plateau Series".
Uncut version of "Quarry" review by Jack Anderson; The New York Times; 1979.
"Unearthing Symbols", by Sally Banes; The Soho Weekly News; November 29, 1979; p. 51; review of "Recent Ruins."
"Voice Choices" by Johnson; The Voice; November, 1979; p. 90; review of "Recent Ruins."
Voice Choices"; "Recent Ruins, La Mama E.T.C. Annex", by Sommer; The Voice; November 25, 1979; " p. 63; "Voice Choice"; "Recent Ruins, La Mama E.T.C Annex", by Sommer; The Voice; December 10, 1979; p. 63.
"Voice Choices" by Supree; The Voice; February 12, 1979; p. 63; review of "Education of the Girlchild."

1978
Articles about MM in Magazines/Newspapers


"Meredith" by [Author Unknown]; T4 Bild Heute, (Germany); No. 5; October, 1978.
"North Stars: 'Jogging', Danseurs Pendus Et Trains d'Enfer", by Guy Scarpetta; Liberation; May 16, 1978; in French.
"Quarry" by Rob Baker; Program notes/article about "Quarry"; 1978; distributed at showings.

Mentions, Photos, etc...of MM in Books
Contemporary Dance; ed. Anne Livet; Abbeville Press, Inc.; New York; 1978; pp. 19, 23, 138-144, 151-152, 164, 184, 236; B/W photos pp. 147, 149, 150-154, 179-182, 195, 196, 231.
Dance: Rituals of Experience; by Jamake Highwater; Princeton Book Co.; Pennington, NJ; 1978; pp. 8, 108, 167, 207, 217-219; includes photographs of "The Games" & "Quarry" and references.
Reviews
"150 Brave Storm for New Yorker", by Michael Crabb; The Toronto Star (Canada); January 27, 1978; p. 1; review of "Paris" & "Raw Recital".
"Anbruch der Frauen-Herrschaft?", by Manfred Zughart; Weser-Kurier; May 8, 1978; "Songs from the Hill", "Dolmen Music"& "Tablet" at Musica Nova Theatre in Germany; 2 translation: 1. "The Beginning of Female Predominance?" by [Translator Unknown]; 2. "Women Begin to Rule?" by [Translator Unknown].
"Ear's Desire" by Jerry Zientara; The Soho Weekly News; June 1, 1978; review of "Songs from the Hill" & "Tablet".
"Halsbrecherische Virtuositat", by Wilfried W. Bruchhauser; [Publication Unknown], Germany; June, 1978; review of "Songs from the Hill", "Tablet"; in German.
"Meredith Monk- 'Our Lady of Late'", by Guy Scarpetta; Art Press International; January, 1978; p. 31; review of "Our Lady of Late", "Songs from the Hill" & "Tablet".
"Meredith Monk's Primal Dances", by Mary Fraker; Excalibur (York University, Canada); February 2, 1978; p. 13; review of "Paris", "Raw Recital" & "Tablet".
"On Structure, Song, and the 70's", by Eileen Blumenthal; The Village Voice; June 12, 1978; review of "The Plateau Series".
"Vokale Landschaft: Meredith Monk Beim Metamusik-Festival", by Hellmut Kotschenreuther; Der Tagesspiege (Germany); October 17, 1978; review of "Songs from the Hill", "Tablet" & "Quarry"; in German.
"Wisdom's Child", by [Author Unknown]; [Publication Unknown]; June 12, 1978; review of "The Plateau Series" presented at Danspace at St. Mark's Church, NYC.

1977
Articles by or Interviews with MM


"Interview with Meredith Monk", by Michael VerMeulen; Chicago Reader; May 13, 1977.
"Meredith Monk con Federico Nicolao"; Panta Conversazioni; Quadrimestrale 1977; Numero 15; Milano; pp. 345-353; Interview.
Articles about MM in Magazines/Newspapers
"A Dance Both Primitive and Modern", by Mary Kerner; Chicago Daily News; May 13, 1977.
"Meredith Monk and the Making of 'Chacon'", by Sally Banes; Dance Chronicles; Volume i, Number 1; September 21, 1977.
"Meredith Monk-Juive et Inca", by Guy Scarpetta; Liberation; November 1977.
"Music for Spectacle", by George Dorris; Ballet Review; Vol. 6, Number 1; Fall-Winter 1977-78; pp. 45-55.
"Taking to the Streets", by Amanda Smith; Ms. Magazine; December 1977; pp. 46-49.
Chapters in Books about MM
Dance Beat: Selected Views and Reviews 1967-1976; by Deborah Jowitt; Marcel Dekker, Inc.; New York; 1977; pp. 113-115, 141-143, 138-140; 48, 59, 55.
"Meredith Monk con Federico Nicolao"; Panta Conversazioni; Quadrimestrale 1977; Numero 15; Milano; pp. 345-353; Interview.
"Take a Trip with Monk", and "Even the Bushes Are Not to be Trusted" by Deborah Jowitt; Dance Beat; pp. 138-144; Marcel Dekker, Inc.; 1977.
"The Storm Is In The Eye", by Marcia B. Siegel; Watching the Dance Go By; Saturday Review Press; 1977.
Reviews
"Americans Abroad- Europe in Search of the Avant-Garde"; Theatre Crafts Magazine; March/April, 1977; picture & mention: 1976 "Quarry" tour.
"The Arts- Dancer Creates Her Own New Worlds in Music", by Daniel Webster; Philadelphia Inquirer; April 18, 1977; p. 4-B; review of "Songs from the Hill" & "Tablet".
"A Bunch Is A Bunch Is A Bunch", by Robb Baker; Soho Weekly News; December 8, 1977; p. 15; review of "Quarry" film.
"Come Travel to Paris/Venice/Milan", by Robert Pierce; Soho Weekly News; March 17, 1977; p. 28; review of "Paris/Chacon" & "Venice/Milan".
"Concepts in Performance", by Wendy Perron; Soho Weekly News; June 16, 1977; p. 41; review of "Songs from the Hill" and "Tablet".
"Concert de Meredith Monk", by H. Terriere; Ouest France; November 9, 1977; "Tablet".
"Le Corps Americain (Notes Sur Le Nouveau Theatre Experimental); Tel Quel (France); Autumn ,1977; pp. 247-270.
"Das Multitalent Meredith Monk: Kehlkopfartistik und Ein Wenig Tanz", by Jochen Schmidt; Frankfurter Allegemeine Zeitung; December 8, 1977; review of concert in Bonn.
"An Introduction to Meredith Monk 101", by Libby Lewis; The Daily Tar Heel (Texas); March 28, 1977; p. 5; review of "Paris" & "Raw Recital".
"Make This A Memorable Evening", by Doris Hering; Dance Magazine; July, 1977; pp. 23-24.
"Mehr als Nur Stimmakrobatik", by Von Christa Reichow; General- Anzeiger Bonn (Germany); November 10, 1977.
"Meredith La Regina"; La Nazione (Italy); October 23, 1977; review of "Anthology and Small Scroll".
"Meredith Monk, a Bordeaux et Rennes", by Lise Brunel; Le Matin (France); November 9, 1977; review of "Paris/Chacon".
"Meredith Monk al CRT- Voci e Memorie Fra Suoni e Danze", by Roberto De Monticelli; Il Corriere (Milan); October 18, 1977; review of "Anthology and Small Scroll".
"Meredith Monk Charms Audience Singing Songs Without Words", by Tim Carr; Minneapolis Tribune; December 8, 1977; p. 13-B; review of "Songs from the Hill".
"Meredith Monk- 'Paris/Chacon'" by Philippe du Vignal; Art Press International; December, 1977; p. 29.
"Meredith Monk/The House", by Lillie Rosen; Dance News; October, 1977; review of "Paris/Chacon" & "Venice/Milan".
"Meredith Monk- Performer- Creator", by Carole Koenig; Emprintes (France); May, 1977; translated by Joan Geiger; extracts from The Drama Review, Vol. 20, No. 3; September, 1976; pp. 29-32.
"Meredith Monk: Rouletabilles en Chaussons", by Florence Mothe; Bordeaux (France); November, 1977.
"Meredith Monk: 'Songs from the Hill' & 'Tablet'", by Jeanne Silverthorne; Arts Exchange (Philadelphia); July/August 1977; concert on April 15, 1977.
"Meredith Monk Tra Sogno e Fiaba", by Sauro Borelli; L'Unita (Italy); October 16, 1977; review of "Anthology and Small Scroll".
"Meredith Monk- Une Voix Riche En Possibilites"; Les Nouvelles (France); November 11, 1977; review of "Tablet".
"Mille Piccoli Gesti Per Sogni e Miraggi Che Non Hanno Parole", by Ugo Volli; La Republica (Milan); October 18, 1977; review of "Anthology and Small Scroll".
"Monk, Chong Perform at Brockport", by Margie Segal; Campus Times Features (Brockport College); February 14, 1976.
"New Piece by Miss Monk", by Anna Kisselgoff; The New York Times; March 3, 1977; review of "Paris/Chacon" & "Venice/Milan".
"New York Newsletter", by Jack Anderson; The Dancing Times (London); May , 1977; review of "Paris/Chacon" & "Venice/Milan".
"Non-Verbal Opera Extraordinary", by Roy M. Close; The Minneapolis Star; December 8, 1977; p. 22C; review of "Songs from the Hill".
"'Paris/Chacon' and 'Venice/Milan'", by Deborah Jowitt; The Village Times; March 28, 1977.
"Quarry" by Lillie Rosen; American Dance Guild Newsletter; Vol. 21, Number 7; March, 1977; pp. 7-9.
"Quarry" by Sy Syna; WNYC-TV Report;; January, 1977.
"'Quarry' Scrutinizes A Holocaust", by Roy Close; The Minneapolis Star; December 14, 1977; p. 22-B.
"Il Rifiuto Della Parola", by Paolo A. Paganini; La Notte (Italy); October 15, 1977; review of "Anthology and Small Scroll".
"Il Ritorno della Monk al Rondo di Bacco", by Lia Lapini; Paese Sera (Italy); October 21, 1977.
"Un Saggio Ginnico Canoro Che Diventa Fiaba- Apologo", by Sara Mamone; L'Unita (Italy); October 21, 1977; review of "Anthology and Small Scroll".
"Shards of Reality By Monk, Chong", by Ernestine Stodelle; New Haven Sunday Register; April 10, 1977; review of "Paris/Chacon/Venice/Milan".
"Sperimentalismo Teatrale Con Elementi Naturalistici", by Piere Santi; Avanti (Milan); October 18, 1977; review of "Anthology and Small Scroll".
"Travelog", by William Harris; Soho Weekly News; March 17, 1977; p. 28.
"I Vocalizzi e Le Danze Astratte dell Enigmatica Meredith Monk", by Gastone Geron; Il Girornale Nuovo (Italy); October 16, 1977; review of "Anthology and Small Scroll".

1976
Articles by or Interviews with MM


"Interviste: Meredith Monk", by G.B.; TRA Magazine; Italy; Fall, 1976.
"Invocation/evocation"; a Dialogue with Meredith Monk by Liza Bear; Avalanche; Number 13; Summer, 1976; pp. 28-33.
"Notes on the Voice", by Meredith Monk; Painted Bride Quarterly; vol. 3, No. 2; Spring, 1976; pp. 4-14.
Articles about MM in Magazines/Newspapers
"About Quarry, About Meredith Monk", by Sally Banes; The Soho Weekly News; December 16, 1976.
"Against Alienation", by Signe Hammer; The Village Voice; December 20, 1976; pp. 65-66.
"Biennale, Ogni Scherzo Vale", by Diego Bertocchi; [Publication Unknown]; [Date Unknown], 1976; "Quarry".
"Landscapes and Telescopes: a Personal Response to the Choreography of Meredith Monk", by Robb Baker; Dance Magazine; Centerfold Section; April 1976; pp. 55-70.
"Meredith Monk alla Biennale", by [Author Unknown]; Avanti; September 1, 1976; "Quarry".
"Meredith Monk/Performer-Creator", by Carole Koening; Drama Review; Volume 20, Number 3; September 1976.
"Meredith Monk's Tapestry of Music and Dance", by John Rockwell; The New York Times; March 28, 1976, Sunday Edition.
"Meredith Monk, Theatrical Seer", by Amanda Smith; Boston Phoenix; February 10, 1976; p.3.
"'Quarry' alla Rassegna Degli Stabili a Firenze", by [Author Unknown]; La Nazione; September 3, 1976; p. 11.
"'Quarry' Dedicato Alle Vittime di Guerra", by [Author Unknown]; Avanti; August 31, 1976.
"L'Uomo Totale", by Giovanna Gagliardo; Il Messaggero; September 21, 1976; p. 5.
Mentions, Photos, etc...about MM in Books
Il Divenive Della Critica; by Gillo Dorfles; Giulio Einandi Editore; Torino; 1976; pp. 7, 255, 256; in Italian.
Books about MM
Il Tempo e gli Ambieti di Meredith Monk: con il Testo Parlato di 'Quarry'; a cura di Franco Quadri; Edizionia de La Biennale di Venezia; 1976.
Reviews
"Albtraum Eines Judischen Kindes", by Monika von Zitzewitz; Neue Zurcher Zeitung (Germany); September 23, 1976; review of "Quarry".
"Il Bicentario Visto da Firenze", by Lia Lapini; Paese Sera (Italy); September 7, 1976; review of "Quarry".
"Con 'Quarry' di Monk si Chiude la Rassegna dei Teatre Stabili", by Siro Ferrone; L'Unita; September 7, 1976; p. 13; review of "Quarry".
"Contraddittorio Approdo Degli Incubi Della Monk", by Aggeo Savioli; L'Unita; September 3, 1976; review of "Quarry".
"The Dance Beat: It's Dance, Theater, Music", by John Mueller; Democrat and Chronicle (Rochester, NY); December 25, 1976; review of "Quarry".
"Dance: Meredith Monk Thinks Big", by Don McDonagh; The New York Times; December 25, 1976; review of "Quarry".
"The Dance- 'Quarry'", by Joseph H. Mazo; Women's Wear Daily; December 17, 1976.
"Discorso Intorno alla Guerra di Meredith Monk", by Franco Cordelli; Paese Sera; September 4, 1976; review of "Quarry".
"Gli Incubi di 'Quarry'", by Gastone Geron; El Giornale (Italy); September 3, 1976; review of "Quarry".
"Here, Then: Here, Now", by Rose Anne Thom; Dance Magazine; July 1976; review of "Quarry".
"Incubi di Bimba Ebrea", by Roberto De Monticelli; Corriere della Sera; September 3, 1976; review of "Quarry".
"Ingenuo Approdo per gli Incubi di Meredith Monk", by Aggeo Savioli; L'Unita; September 3, 1976; review of "Quarry".
"Letting the Elves Out", by Robb Baker; Soho Weekly News; Noevember 4, 1976; review of "Tablet" & "Songs from the Hill".
"Meredith Monk Doesn't Make Mistakes", by Tom Johnson; The Village Voice; May 3, 1976; review of "Quarry".
"Meredith Monk, la Guerra Come Incubo", by Alberto Blandi; La Stampa; September 3, 1976; review of "Quarry".
"Meredith Monk, Medieval Allegory and Other Stories", by Tom Johnson; The Village Voice; November 15, 1976; review of "Tablet" & "Songs from the Hill".
"Meredith Monk: The House, La Mama Annex", by Barbara Baracks; Art Forum; June 1976; review of "Quarry".
"Meredith Monk/The House, 'Quarry', April 2-4, 6-11, 13-19, La Mama", by Kathy Duncan; Dance News; June, 1976.
"Meredith Monk's Other Reality", by Laura Shapiro; The Boston Globe; February 14, 1976; review of "Education of the Girlchild".
"Monk, Chong in 'Paris' at CalArts", by Lewis Segal; Los Angeles Times; April 30, 1976; p. 19.
"Monk Excels at Dance Theater", by Steve Hogner; The Austin-American Statesman (Austin, TX); November 19, 1976; review of "Paris" & "Venice/Milan".
"Monk's Work Phenomenal", by C. K. Carman; Arts and Entertainment (Austin, TX); November 19, 1976; review of "Paris" & "Venice/Milan".
"Music- Opera With A Difference", by Wayne Robbins; Newsday; April 9, 1976; review of "Quarry".
"New York Newsletter"; The Dancing Times (London); 1976; review of "Quarry".
“’Opera’, with a difference”, by: Wayne Robbins, NEWSDAY, April 9, 1976.
"Quarry" by Connie Grzelka; Associated Press Byline; 1976.
"Quarry" by Dee Dee Simmons; Show Business; December 30, 1976.
"'Quarry' della Monk a Venezia" by [Author Unknown]; Gazzetta del Popolo; September 3, 1976.
"'Quarry', Liturgia con Musica" by G.A Cibotto; Il Gazzettino; September 3, 1976; p. 10.
"'Quarry'- L'Ultima di Meredith Monk" by C.M. Trevisan; Il Tempo (Italy); September 5, 1976.
"'Quarry' Preys on the Mind" by Bob Micklin; Newsday; December 16, 1976.
"In Quella Testa di Bimba Urlano i Demoni di Guerra" by Lorenzo Arruga; Il Giorno (Italy); September 3, 1976; review of "Quarry".
"Questi Balletti Sareberro Piaciuti Anche a Freud", by Maria Bosio; Radiocorriere (Italy); October, 1976; p. 109; review of "Quarry".
"Realta d'Orrori in Suoni e Figure", by Arnaldo Mariotti; Avvenire; September 7, 1976; review of "Quarry".
"Renaissance Woman Brings 'Quarry' to BAM", by Sally Sommer; Flatbush Life; December 27, 1976; p. 33.
"Ricordo di Bambina Ebrea Negli Anni dell'Olocausto", by Giovanni Vallon; La Repubblica; September 3, 1976; review of "Quarry".
"The Secret Life of Cities: Surrealistic Baedekers", by Nadja Sabe; Soho Weekly News; July 8, 1976; review of "Venice/Milan".
"Une Sinfonia d'Immagini Nello Spazio della Memoria", by Sergio Colombia; Il Resto del Carline (Italy); September 3, 1976; p. 7; review of "Quarry".
"'Songs from the Hill' Personal Statement of Life", by Gail Tagashira; Sunday Mercury News (San Jose, CA.); November 14, 1976.
"The Storm Is In The Eye", by Marcia B. Siegel; Soho Weekly News; April 22, 1976; review of "Quarry".
"Teatro: La Sinagoga in Lacrime", by Angelo Ripellino; Espresso (Italy); September, 1976; review of "Quarry".
“There, Then; Here, Now” by RoseAnne Thom, Dance Magazine, July 1976.
"Ultima Settimana al Vecchio Goldoni", by L.L.; Paese Sera; September 5, 1976; review of "Quarry".
"Underwater All Islands Connect", by Deborah Jowitt; The Village Voice; April 26, 1976; p. 125; review of "Quarry".
"Venice/Milan" by Sally Banes; The Village Voice; July 5, 1976.
"We Cease To Be Victims Of The Past", by Arthur Sainer; The Village Voice; April 26, 1976; pp. 138, 140; review of "Quarry".

1975
Articles by or Interviews with MM


"Meredith Monk"; an Interview by Phillipe du Vignal; Art Vivant; Automne 1975.
"Meredith Monk Interview" by Lise Brunel; Art Vivant; November 1975.
Articles about MM in Magazines/Newspapers
"Meredith Monk/The House.."; A Bunch of Experimental Theaters of New York, Inc. at the 28th Connecticut College American Dance Festival; June 21-August 2, 1975.
Reviews
["?"]; The Village Voice; March 3, 1975; review of Monk's Music for Merce Cunningham concert.
"Alla Biennale di Venezia Una Nuova Strada Per Il Teatro", by Renzo Tian; Il Messaggero (Italy); October 19, 1975; p. 12; review of "Education of the Girlchild".
"Arts et Spectacles- 'Education of the Girlchild' par Meredith Monk", by Colette Goddard; Le Monde (France); November 7, 1975.
"Biologerend Theater van Meredith Monk", by Hanny Alkema; NRC Handelsblad-Kunst (Amsterdam); October 29, 1975; review of "Anthology and Small Scroll".
"'Educazione di una Bambina' all Biennale: La Poesia Onirica di Meredith Monk", by Aggo Savioli; L'Unita (Italy); October 19, 1975; review of "Education of the Girlchild".
"Fabeldier Speelt Theater", by Jac Heijer; Haarlems Dasblad (Holland); October 30, 1975; review of "Anthology and Small Scroll".
"Favola Pittura Con Belle Statuine di Meredith Monk" ,by Elio Pagliarani; Paese Sera (Italy); October 19, 1975; review of "Education of the Girlchild".
"Festival, Fables, and Twice-Told Tales" by Deborah Jowitt; The Village Voice; June 16, 1975; "Anthology and Small Scroll".
"Gli Spettacoli: Una Storia Per Immagini" by Gia Cibotto; Il Gazzattino (Italy); October 11, 1975; "Education of the Girlchild".
"Meredith Monk Lijkt Bezig Met Van Alles", by Daniel De Lange; De Volkskrant (Holland); October 29, 1975; review of "Anthology and Small Scroll".
"Meredith Monk/Os Sons e Os Gestos Da Poesia Audiovisual", by Beatrix Schiller; Jornal Do Brasi; June 10, 1975.
"Meredith Monk: Una Vita di Donna", by Alberto Blandi; Stampa Sera (Italy); October 24, 1975; review of "Education of the Girlchild".
"Monk: 'N Kunststukje", by Ben Hurkmans; Het Parool (Holland); October 29, 1975; p. 23; review of "Anthology and Small Scroll".
"A Morning", by Allen Robertson; Dance Magazine; June, 1975; review of "Anthology and Small Scroll".
"Mysterieuze Taal Van Meredith Monk", by J. Huisman; Algemeen Dagsblad (Holland); October 30, 1975; review of "Anthology and Small Scroll".
"A Nice House to Visit", by Bonnie Marranca; Soho Weekly News; May 22, 1975; review of "Anthology and Small Scroll".
"La Piu Bella Sorpresa della Biennale- Teatre", by Gerardo Guerrieri; Il Giorno (Italy); October 21, 1975; p. 17; review of "Education of the Girlchild".
"Renaissance Woman", by Kathy Duncan; Soho Weekly News; May 29, 1975; review of "Anthology and Small Scroll".
"Roots/Small Scroll", by Joan LaBarbara; Soho Weekly News; April 3, 1975; pp. 29-30.

1974
Articles by or Interviews with MM


"Theatre-Meredith Monk Interview", by Phillippe du Vignal; Art Vivant; 1974.
Articles about MM in Magazines/Newspapers
"Meredith Monk Fits No Single Category", by Elise Vider; The Day; New London, CT.; July 19, 1974; p. 14.
"Meredith Monk: Snap, Cackle, and Poof!", by Linda Winer; Chicago Tribune; February 22, 1974.
"Taking a Trip with Meredith Monk", by Deborah Jowitt; The New York Times; January 13, 1974; Sunday Edition; p. D9.

Mentions, Photos, etc...about MM in Books
Total Art: Environments, Happenings, and Performance; by Adrian Henri; Praeger Publishers; New York; 1974; pp. 36, 108-110; "Vessel" & "Education of the Girlchild".

Chapters in Books about MM
"Meredith Monk 'Vessel': An Opera Epic"; Dance As A Theatre Art: Source Readings In Dance History From 1581 To The Present; ed. Selma Jeanne Cohen; Dodd, Mead & Co.; New York; 1974; pp. 209-216.
"Vessel: An Opera Epic"; a reprint of The Drama Review interview with an introduction by Selma Jeanne Cohen; Dance as a Theatre Art; pp. 209-216; Dodd, Mead and Company; 1974.
Reviews
"Chacon", by Robb Baker; The Soho Weekly; June 13, 1974.
"A Concert for Voice and Wine Glass", by Sally Banes; Chicago Reader; February 22, 1974.
"Un Concerto per Voce e Bicciere", by Gillo Dorlfes; Corriere Della Sera; November 23, 1974; review of "Our Lady of Late".
"Dance" by Ellen W. Jacobs; Changes; 1974; p. 22.
"Dance: Meredith Monk and The House", by Linda Shapiro; Many Corners (Minneapolis); May 1974; review of "Education of the Girlchild".
"Education of the Girlchild", by Jack Anderson; Dance Magazine; January 1974.
"Many People Are Islands", by Deborah Jowitt; The Village Voice; July 18, 1974; review of "Paris/Chacon".
"Meredith Monk" by Lise Brunel; HAD No. 25 (Paris); December 10, 1974.
"Meredith Monk: Recital Inattendu"; Le Figaro (France); October18, 1974.
"Meredith Monk/The House, 'Education of the Girlchild'" by Kathy Duncan; Dance News; January 1974; reviewed at the Common Ground Theatre, NYC; Nov. 8-11, 15-18, 22-25, 1973.
"Miss Monk Sits There Crooning in 40 Minutes of Her Theater", by Peter Altman; The Minneapolis Star; May 8, 1974; p. 2-B; review of "Our Lady of Late" & "Education of the Girlchild".
"Meredith Monk's 'Paris/Chacon' Danced By Her and Ping Chong", by Jennifer Dunning; The New York Times; June 10, 1974.
"New York Newsletter" by Jack Anderson; The Dancing Times (London); August, 1974; review of "Paris/Chacon".
"Paris/Chacon" by Nancy Moore; Dance Magazine; September, 1974.
1973
Articles about MM in Magazines/Newspapers
"Meredith Monk: An Introduction [by Angela Westwater] and A Metaphoric Theater", by Mark Berger; Artforum; May 1973; pp. 57-63.
"Meredith Monk: Multi-Media Artist", by John Rockwell; Musical America; September 1973; pp. 10-11.
"Open House with Meredith Monk", by Dave Skal; The Post (Ohio University); February 23, 1971.
Reviews
"Airheart Was Merely Felled", by Jill Johnston; The Village Voice; December 6, 1973; review of "Education of the Girlchild".
"Education of the Girlchild", by Kathy Duncan; The Soho Weekly; November 15, 1973.
“Meredith Monk Finds Form in ‘Girlchild’” by Anna Kisselgoff: The New York Times: November 11, 1973.
"Frail Ghost in Strong Voice", by Tom Johnson; The Village Voice; June 12, 1973; review of "Education of the Girlchild".
"Hit By a Flying Solo", by Tom Johnson; The Village Voice; January 18, 1973; review of "Our Lady of Late" at Town Hall: January 11, 1973.
"It Doesn't Take a Lot...", by Deborah Jowitt; The Village Voice; February 15, 1973; review of "Paris".
"'Lady of Late' Adds Color with Vocals by Meredith Monk", by John Rockwell; The New York Times; January 13, 1973; p. 17; review of "Our Lady of Late" at Town Hall, Jan. 11, 1973.
"Meredith Monk and Ping Chong in 'Paris'", by Jack Anderson; Dance Magazine ; April, 1973; W. Broadway Loft Performance in NYC, February 3-4, 1973.
"Meredith Monk Finds Form in 'Girlchild'", by Anna Gisselgoff; The New York Times; September 11, 1973.
"Meredith Monk Work Full of Imagination", by Don McDonagh; The New York Times; June 16, 1973; review of "Education of the Girlchild", June 12, 1973.
"New York Newsletter", by Jack Anderson; The Dancing Times (London); April, 1973; p. 374; review of "Paris".
"Off Off and Away", by Robb Baker; After Dark; September, 1973; pp. 66-67; review of "Education of the Girlchild".
"Revelatory Dance in Ohio", by George Gelles; The Evening Star and Daily News (Washington DC); March 1, 1973; review of "Education of the Girlchild".
"Stillness Becomes Movement in Monk's 'Education of the Girlchild'", by Nancy Goldner; The Christian Science Monitor; November 14, 1973; p. 18.
"Theatre Journal", by Michael Smith; The Village Voice; November 15, 1973; "Education of a Girlchild" at Common Ground.
"Who Is That Woman with the Moustache?", by Deborah Jowitt; The Village Voice; June 28, 1973; review of "Education of the Girlchild".

1972
Articles by or Interviews with MM


"The Scenography of Meredith Monk"; an Interview with Meredith Monk by Brooks McNamara; The Drama Review; pp. 88-103; Spring 1972.
Articles about MM in Magazines/Newspapers
"Filling the Music Vessel", by Doreen Tanner; Liverpool Daily Post; June 15, 1972.
"High Fidelity and Musical America", by Jacqueline Maskey; [Publication Unknown]; February, 1972; "Vessel" & general article.
Chapters in Books about MM
"Vestal Virgin", by Marcia B. Siegel; At the Vanishing Point; pp. 297-300; Saturday Review Press; 1972.
Reviews
"Education of the Girlchild", by Deborah Jowitt; The Village Voice; May 11, 1972; pp. 47 & 60; April 22-23, 1972.
"Education of the Girlchild (April 22-23)", by Ellen Stodolsky; New York Metropolitan Review; No. 30; May 4-10, 1972.
"Monk Plays Saint", by Merete Bates; The Guardian (England); June 19, 1972; review of "Vessel".
"New York Newsletter", by Jack Anderson; The Dancing Times (London); p. 193; review of "Vessel".
"Strange Beauty and Brilliance in an Operatic Work", by Neil Tierney; The Daily Telegraph (Liverpool, England); June 17, 1972; review of "Vessel".
"Strange But Effective Craziness"; The Daily Telegraph (London); June 23, 1972; review of "Juice".
"Theatre Afield and Home", by Arthur Sainer; The Village Voice; February 3, 1972; review of "Education of the Girlchild", April 22-23.
"Vessel", by Jacqueline Maskey; High Fidelity and Musical America; February, 1972.
"'Vessel'- An Opera Epic by Meredith Monk", by Doris Hering; Dance Magazine; January, 1972; New York City.
Review of WBAI January 23 Concert by Tom Johnson; The Village Voice; February 3, 1972.

1971
Articles about MM in Magazines/Newspapers


"How Do You Hear a Dancer Dance", by Deborah Jowitt; The New York Times; September 12, 1977; Sunday Edition.
Reviews
"Even The Bushes Are Not To Be Trusted", by Deborah Jowitt; The Village Voice; November 4, 1971; p. 35; review of "Vessel".
"In the Merry Monk of October", by Arthur Sainer; The Village Voice; November 4, 1971; review of "Vessel".
"Key", by Melody Peterson; Los Angels Times; September 6, 1971.
"Miss Monk's House Group- Unique Performing Entity", by Furumeth Siegel; The Mining Journal (Marquette, MI); February 25, 1971; review of "Tour 8: Castle".
"Monk With Taste", by Curtis L. Carter; The Bugle-American (Milwaukee, WI); February 18-24, 1971; review of "Tour 8: Castle".
"'Tour 8: Castle'- The Miracle of Body Memory", by Madelaine Slovenz; The Hope College Anchor (MI); February 22, 1971; p. 5; review of "Tour 8: Castle".
"'Vessel' Fondly Rembered", by Sara Risher; The Soho Statement; November 20, 1971; Vol. 1, Number 1.
1970
Chapters in Books about MM
"Meredith Monk/Mixed-Media Kid", by Don McDonagh; The Rise and Fall of Modern Dance; Outerbridge & Dienstrfrey; New York; 1970; pp. 174-189, 94, 103, 165.
Reviews
"Choreographer's Creates 'Real' Fantasy World"; The Day (New London, CT); July 17, 1970; review of "Needle Brain Lloyd and the Systems Kid".
"Choreographer's Work To Take All Outdoors"; The Hartford Courant; July 18, 1970; review of "Needle Brain Lloyd and the Systems Kid".
"Dance- Fantasies (Nearly New) in the Arboretum", by Laura Shapiro; The Phoenix; (Boston, MA); August 1, 1970; p. 30; review of "Needle Brain Lloyd and the Systems Kid".
"Dynamic Artist Electrifies A Special Creation", by Carol Steiner; Buffalo Evening News; May 4, 1970; review of "Tour 7: Factory".
"The House Dances 'Needle Brain' in Connecticut", by Don McDonagh; The New York Times; July 20, 1970; review of "Needle Brain Lloyd and the Systems Kid".
"A Live Movie", by Dorothy Eastland; The Hartford Courant; July 21, 1970; review of "Needle Brain Lloyd and the Systems Kid".
"Meredith Monk's Art Beautiful, Perplexing", by John Mueller; Norwich Bulletin; July 22, 1970; review of "Needle Brain Lloyd and the Systems Kid".
"Monk's Dancers Prove the Point in Domus Work", by Anthony Bannon; Buffalo Evening News; May 16, 1970; review of "Tour 7: Factory".
"Music", by Laura Shapiro; The Phoenix (Boston, MA); July 26, 1970; p. 16; review of "Raw Recital".
"Needle Brain Lloyd and the Systems Kid", by Stephen Smoliar; Dance News; October 1970; review of Connecticut College season.


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